Kohinoor lacks the sparkle, feels Paresh C Palicha.
Peruchazhi is not up to the mark especially since it underutilises an actor of Mohanlal's caliber.
Jamna Pyari remains a mediocre effort that cannot fulfill viewer expectations in this festive season., says Paresh C Palicha.
Rasputin is long-delayed, and not meant for today's times, says Paresh C Palicha.
Hi I'm Tony tries to experiment, but it's just another thriller that depends on its actors, blood and gore.
Kumbasaaram is an over the top which has nothing new to offer.
Masala Republic is one of the tackiest films made in recent times.
Nee-Na is another brilliant effort by director Lal Jose.
Even those who feel like defending this film because it is made for the mass audience will be disappointed.
The comedy fails to work for the most part.
The message from You Too Brutus is that human relationships are fragile but the way it is conveyed leaves us with a bad taste in the mouth.
100 Days of Love leaves a lot to be desired as a serious love story.
This film is Mommootty's version of Drishyam, feels Paresh C Palicha.
Paresh C Palicha wonders why Malgudi Days has so many subplots when the main idea itself was good enough for a film.
Kochavva Paulo Ayyappa Coelho is truly a feel-good venture that will leave a smile on your face for a long time, feels Paresh C Palicha.
Not much imagination has gone into developing the plot of Adi Kapyare Koottamani!
Picket 43 is the best film in Major Ravi's oeuvre and deserves to be seen despite its shortcomings.
Rajamma @ Yahoo leaves the viewer confused, writes Paresh C Palicha.
Cousins is not an auspicious beginning to the festive season, says Paresh C Palicha.
Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
Angels has a disappointing story and shoddy film-making, says Paresh C Palicha.
Lal Bahadur Shastri is a New Gen venture that offers you just few chuckles and laughs here and there.
The director successfully maintains a fine balance among the three leading men in Amar Akbar Anthony, says Paresh C Palicha.
Ezhamathe Varavu may not be the best from the legendary team, but it is still worth a watch.
Varsham carries the stamp of Ranjith Sankar which is enhanced by Mammootty's presence.
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Kunchako Boban gives his best performance in Pullippulikalum Aattinkuttiyum.
The film is watchable for its earnest performances.
Siblings Vineeth and Dhyan seem to be making a statement on their father Sreenivasan's work in Malayalam cinema, notes Paresh C Palicha.
Mohanlal's Loham is not original at all, warns Paresh C Palicha.
Bhaiyya Bhaiyya does provide a few chuckles, but nothing substantial.
The star cast is in top form with every character etched perfectly.
The film has a problem with pacing and lags a few times but the director uses these moments to add meat to the characters.
Anoop Menon and Joy Mathew along with Dulquar Salman and Namitha have given a decent performance in the film.
Manglish is a typical star vehicle that does not deserve a critical dissection.
The story of an underdog, Kattappanayile Rithwik Roshan is quite decent, feels Paresh C Palicha.
Biju Menon feels bogged down by expectations that his latest film carried, feels Paresh C Palicha.
From the blood and tears that flowed in the first half, the narrative takes a 'U' turn and becomes a comic caper post interval, giving us a feeling that we watched two different films that were merged together midway, feels Paresh C Palicha.
Lailaa O Lailaa is a tacky film that wasted the resources at its disposal.
God's Own Country is over-written -- characters explain everything in words when a mere change of expression would do.
Law Point is a lethargic long drive with many low points.
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